Showing posts with label Poor Mouth. Show all posts
Showing posts with label Poor Mouth. Show all posts

Friday, September 18, 2026

Small Can Be Good

Not every play has to be an elaborate singing-vampire musical. Some of the theater I've seen most recently has been on a noticeably smaller scale.

Last weekend, I attended Officer at Poor Mouth Theatre Company in the Bronx. Billed as a one-man show featuring Al Gonzales, it actually contained a surprise special guest about half-way through, but the tiny stage made it impossible to fit many more people up there than that.

There was a slightly larger cast in Mrs. Stern Wanders the Prussian State Library by Jenny Lyn Bader. The play, which stars Ella Kaille as a young Hannah Arndt, is mostly a two-hander where the philosopher faces off against a German police officer played by Brett Temple. However, Daniel Cantor showed up in the middle as a lawyer, adding a bit of variety to a play that is intentionally claustrophobic.

Of course, when your play is about what it's like to be detained in a jail cell by a Nazi government beginning to flex its muscle, claustrophobic is precisely what you want, so the small stage downstairs at 59E59 Theaters worked. A limited cast and stage are necessary when exploring enclosure, and how much more enclosed can you get then a jail cell, and one in Nazi Germany at that? Perhaps showing someone buried alive?

Well, in a manner of speaking, that is what's on stage in Grace McLean's musical In the Green. Last night, I saw a student production of the play at City College. It tells the story of how Hildegard of Bingen was mentored by the 12th-century anchorite Jutta von Sponheim, who had sealed herself up in a one-room shelter much like a tomb. The musical, which has songs titled "Death Ceremony" and "Burial" explores how the limits we place on ourselves can sometimes be freeing (though they can be dangerous, too, as the the play admits).

There is much to be said for small-cast plays, small performance spaces, and dramas that force the audience to confront uncomfortable truths with no place to run. This shouldn't be an excuse for not producing larger shows, but Officer, Mrs. Stern Wanders the Prussian State Library, and In the Green all showcase the power there can be in being small.

Sunday, April 7, 2024

Bumbled

I just saw Poor Mouth Theatre Company's Bumbled, a one-man play that is a part of the 1st Irish Festival organized in conjunction with the Origin Theatre Company.

Bumbled was written by Bernard McMullan and performed by Colin Hamell, who is artistic director of Tir Na Theatre in Boston. The play tells the story of an Irish drone bee, Pascal, who falls in love with a sexy French worker bee named Marion, even though his biological purpose is to have sex with the queen until his testicles fall off and he dies. Obviously, it's a comedy.

If you missed Bumbled, there are plenty more Irish plays to see this month as a part of the festival. Irish Rep is presenting Brian Friel's play Philadelphia, Here I Come! The Drilling Company is presenting a new play by Tim McGillicuddy called Herself.  Other plays in the festival include Marianne Driscoll's Last Call for Babe Reilly and Larry Kirwin's The Informer.

The 1st Irish Festival is happening all over the city, so there are plenty of places this month to see plays about Ireland.