On this day of giving thanks, I am grateful for some of the wonderful theatre companies in New York City that keep going in spite of the difficulties of this day and age.
I am grateful for Gingold Theatrical Group, which has managed not only to keep its Project Shaw reading series going in lean times, but to continue to produce excellent fully staged work as well. This fall's production of Caesar and Cleopatra brought an epic to life on a shoe-string budget. We need more work like that: dedicated, daring, and filled with enthusiasm.
Though I didn't get out there as much as I would have liked to this year, I'm grateful that Irish Repertory Theatre is still with us, too. Their production of Sean O'Casey's trilogy of Dublin plays was not to be missed, and I particularly loved Juno and the Paycock. They'll soon be opening one of my favorite under-produced plays, London Assurance by Dion Boucicault. Thank you yet again, Irish Rep!
Theatre in the parks is always hit-or-miss, which is why I'm particularly grateful to New York Classical Theatre for consistently providing quality outdoor theatre for the masses. This summer's production of Oscar Wilde's The Importance of Being Earnest was a delight. I hope what they have to offer us next summer will likewise entertain and provide food for thought.
Finally, I'm grateful to Urban Stages for bringing new work to life and being one of the few New York theatres left to take unsolicited scripts. It's a pity we don't have more theatres in this city with the type of open-door policy that has helped Urban Stages discover truly new voices.